Som afslutning på Kulturmødet på Mors 2015 lavede komiker og skuespiller Jonatan Spang, skuespiller og forfatter Hassan Preisler og jeg indslaget “Jeg savner dig – gid du var på Mors!”. De mange hundrede deltagere som var mødt op til afslutningen var super skønne og helt med på at gennemføre vores lille sociale eksperiment. Det gik lige i hjertet!
Tristan Williams and I did the curatorial statement for the Lumen Prize Exhibition in London 2015. The Lumen Prize is one of the worlds pre-eminent Digital Art Prizes. Link to The Lumen Prize website
– Cecilie Waagner Falkenstrøm –
The Lumen Prize Exhibition, London
Statement from the curators
Who are we as humans in a digital age?
As an annual prize the Lumen allows us to go on a journey into the burgeoning field of digital art forcing us to ask ourselves: What is digital art? The works in the exhibition widen our perspective on this question. Some works use digital technology as their medium for expression, others utilize technology in the process of creation and yet others respond to our digitally mediated everyday lives using more traditional approaches.
However, while attempting to find a common ground, it seems that digital art is elusive. It constantly escapes our attempts to define or reduce it to easy taxonomies. Does its slippery nature tell us something about what digital art is? Does the very speed at which our culture moves now make attempts at classification an act of futility? In the face of instant online communication and the constant consumption of media does “meaning” begin to disintegrate?
By having a touring exhibition in conjunction with an online gallery, seminars and a symposium the Lumen is able to encourage conversation and debate around these sorts of questions. Something that is both valuable and necessary when attempting to delineate the distinctive characteristics of digital art.
The Lumen Prize does not solely provide a space for explorations of what digital art is – It further enables us to think about what it means to be human in a digital age and how the digital, by it’s very nature, changes our human conditions and possibilities. The Lumen prize and the works exhibited widen our horizon and force us to ask the basic question: Who are we as humans in a digital age?
While exploring the art works we suggest that you do not lose yourself in fascination with technology. Instead, immerse yourself in the work’s elusiveness – wander around the exhibition exploring how these works mirror and engage our contemporary life.
By Trystan Williams and Cecilie Waagner Falkenstrøm
On 29.04.2015 I will debate topics related to culture and people at KULTURMØDE in Albertslund together with Clement Kjersgaard, Carsten Thau, Sørine Gotfredsen, Kitte Wagner, Julia Lahme and Mattias Tesfaye.
I have talked to leading cultural thinkers and practitioners in Denmark about the potentials of art in relation to the impossible’s possibility. I have collected the dialogues in a short film sequence “(u)mulighed”, which was shown at the cultural conference SACRE in November for 250 people. In the film I have a dialogue with writer Peter Høeg, artist Tal R, instructor and director of opera Kasper Holten, business executive Stine Bosse, professor Steen Hildebrandt, Minister of Culture Marianne Jelved, professor Preben Melander, former principal of the Danish film school Poul Nesgaard, businessman Alfred Josefsen, chairman of the board Jørgen Huno, actress Marie Tourell and musician Peter Bastian.
Today I had the pleasure of speaking about “The possibility of the Impossible” (Det Umuliges Mulighed”) at the art- and culture initiative SACRE’s conference in Copenhagen.
The speakers at the SACRE conference 24.11.2014: Peter Høeg, author
Kasper Holten, director of Opera at The Royal Opera House London
Tal R, artist
Elsebeth Gerner Nielsen, principal
Cecilie Waagner Falkenstrøm, artist and researcher
Chris Minh Doky, musician
Alfred Josefsen, businessman